This past week I accompanied Michele on a studio visit with Philadelphia
artist Elyce Abrams. It was my first ever studio visit with two professional
artists, and I was extremely excited and grateful I could be there. I learned a
lot from listening to the both of them communicate, and from the visit itself.
Elyce was a painting major at Uarts as well as Michele, and graduated in 2006.
The two talked about ways of hanging their pieces, different studios they have
rented out, as well as both their practices. For example, Elyce hangs her work
in her studio with the use of cleated hanging and keyholes. This process allows
her to interchange work so there is no need to continue nailing holes into the
wall, which creates a more efficient workspace. It was interesting to see the
similarities and differences between them, as well as relating their work to my
own. We all are within the realm of abstraction, so I am glad I got a personal look at
how they approach making their artwork. I had the chance of asking Elyce a few questions
of my own which were, “What inspires you to make this type of work, and have you
always worked in this way?” As well as, “What artists or type of art inspires
you?” She responded by saying she used to work differently, by incorporating scraping
paint across the surface of the panel, which resembled mark making. Rather than
painting, spray painting, and sectioning off parts of the piece to create
geometric forms and lines as she does now. The linear aspects of her pieces are
similar to Michele’s, but unlike Elyce she does not incorporate the use of spray
paint. Her lines are more matte, precise, and incorporate the wood panel within
the piece itself. Elyce and Michele each have a unique perspective on their
subjects, which was great for me as a student to experience.
I continue working on organizing and taking inventory of
Michele’s supplies. I also started a new project this week, to create a color
wall of paint swatches labeled with their corresponding names. This will not
only allow Michele to see her paints quickly if necessary for a piece, but also
will make it much easier when she needs to buy that paint again.
Since I started Summer Fellows I’ve been asking Michele
questions about her practice, her as an artist, and about the art world in
general. She says she has always wanted to be an artist since she can remember,
and I can definitely relate. I’m excited to keep getting to know her and learn
from her more than I already have.
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