We were beginning the process of solidifying the pieces that
would be included in the More Stately
Mansions exhibition. A lot of the work that I’ve done while in college has
been crappy part-time jobs and internships that have been beneficial, but work,
nevertheless. It’s nice to work somewhere that I can be productive in a space
that is not confined by ceilings. The air was just above lukewarm and the sun
only a little shy. It was as a good day as any to take a quick business trip to
Atlantic City. Veronica, Emily. Veronica’s other assistant, and I rode to
Jersey where we checked out Jim Dessicino’s at-home studio and artwork for the
exhibition.
I would describe his work here, but I refuse to release
spoilers. Come to the show. It’ll be worth it. It seemed the theme of heritage
and tradition was inescapable for him. The house that he lives in belonged to
his grandparents, and his studio was his grandmother’s hair salon. It’s like an
art space that evolves. Inside were sculptures, some of faces, and to no
surprise, some of naked bodies (I’m convinced that all visual artists are or
were at some point obsessed with nudity, but all artists probably are. We want
to explore or exhibit what’s beneath the garments we hide ourselves with.
Maybe.). What I found most fascinating was his portrait of his grandfather,
adorned in what looked like a tailored tuxedo, presented in front of a detailed
background featuring ancient symbols of luxury and wealth. Another piece that I
found myself thinking about after visiting was of an African “bag-man.” It was
about the men who come from countries in Africa and end up in positions where
their only source of income comes from selling fake knock-off bags due to
citizenship and passport complications. A
few months ago, I was thinking of writing a fiction story about the men who
sell oils on sidewalks and on the subway and the el. Now I’m inspired to do
homework to discover the reasons that men, typically African-American muslim
men, grab people’s wrists and rub fragrances on them instead of doing other
things to make money.
Afterward, we went to the beach for a couple of hours. We collected seashells and I
spent fifteen bucks on food that would have costed me, maybe, $7.50 anywhere
else that was not on the boardwalk. I almost lost that same food to a flash mob
of Seagulls who chased me into the ladies’ restroom. Moral of the story: if you
are hungry at the beach, it is safer and more cost efficient to starve.
1. I've also had similar experiences with seagulls and feel your pain.
ReplyDelete2. This exhibition sounds great and I hope I can go to see it!
3. I also believe nudity is something a great number of artists are drawn to and i like your idea of exploring whats beneath the garmets we hide under. I think more of the nudity that i've been exposed to has been about the over-sexualized human body and how it has the ability to make us feel both powerful and vulnerable.
Oh god!! This post takes me back to my home town and the time a sea gull stole my whole hot dog!!!
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